Tag Archives: Morocco

Kickstarting – Music from Saharan Cellphones Volume 2

Music from Saharan Cellphones Volume 2 is coming!

Last year, we rolled out Music from Saharan Cellphones, a vinyl compilation of popular music circulating on the unofficial cellphone music exchange networks of West Africa. In the preceding years, I’ve located more artists via internet tools like Facebook profile searches and Youtube comments, as well as my travels back to West Africa (where I met Ami Wassidje, Pheno S., Mouma Bob, and Mdou Moctar). The kickstarter is now underway, with competitively priced pre-orders on the vinyl ($15 w/shipping) as well as some new reward levels (like a cellphone from the Sahara loaded with mp3s or a MicroSD card release). Expected release date is around November.

Gnawa, across the desert

They said ‘we behold you as one diligent in your pursuit of much journeying,
On the earth. For a while you stay, and then you journey on your way.’
I said, ‘Were there no benefit to be gained in travelling,
The sun would not change its stations in its heavenly mansions.’

– Al-Tadili recording story of Abu Yahya Abu Bakr b. Mahyu al-Sanhaji

Soudani yalah alah, soudani
Soudani yalah alah, soudani yalah
Soudani ya legnawi soudani
Soudani dawi hali soudani

Pigeons du Sable – Soudani

The Sahara is classically viewed as an impenetrable barrier between North and Central Africa. Classically, or perhaps metaphorically, because it is clearly not the case, and the influences that swept across the sand worked both ways, following the routes of the caravans. Perhaps in no other place is this so evident as in the Saharan music, or that on the edges of the desert, such as the Gnawa (or Gnaoua) music of Southern Morocco.

The Gnawa music possesses a droning rhythm from a luth (haj-hooj), clapping, hand cymbals (krakeb), and the typic call and response singing prevalent. It is not unfair to say the music differs widely from that normally identified as “Moroccan” – and is at once more identifiable with Sonrai (or Songhai) of Northern Mali.

The preceding song was recorded in a village Khamlia (known locally as the “village of the blacks”), 7km south of Merzouga and near the ancient caravan town of Sijilmassa.

*note: due to a short stint in France, the website hasn’t been updated, but i’m currently back in Northern Mali and will updating with renewed frequency as internet permits!*