Spring is upon us, time to come out of the house and put on your dancing shoes. Tuareg guitarist and virtuoso Mdou Moctar has a mini-spring tour, and will be traveling around for a few shows in the EU + Turkey. In addition, he’ll be screening his film Akounak (which has quite a few screenings worldwide this month – check out our mailing list). Check out the dates + links below:
Mdou Moctar’s fall tour begins tomorrow. The band will be playing a full UK tour, with dates across the EU, and a first time show in Turkey. Select date will be accompanied by screenings of Akounak. Stop by and say hello!
After nearly a year from our shoot, we’re pleased to announce the premiere of our film. Starring Mdou Moctar, a longtime Sahel Sounds artist and collaborator, Akounak Tedalat Taha Tazoughai (“Rain the Color Blue with a little Red in it”) is the fictional tale of a young guitarist trying to make it against all odds. You can read more about it here.
Per the aforementioned Kickstarter, we’ll be premiering the film in two places: Jan. 29th at the Hollywood Theater in Portland, Oregon, followed by a premiere Feb. 5th at Le Gyptis in Marseille, France.
Though originally slated to be released quickly, a mere six months after the shoot, post production was extended far beyond the realm envisioned. We enlisted a team for color correction, recorded new versions of the songs, redubbed portions of the audio, delved into foley work, and hired a sound engineer to mix and master the audio. Most of these post production steps were unexpected, as the interest in the film caught us by surprise. What we had imagined as an experimental project with a handful of screenings in the West and distribution via West African DVD players transformed into something beyond our expectations. Post-production is something overlooked by many filmmakers, especially this one. Next time, it would be interesting to follow with a post that could be done in record time, carried out in West Africa – a fully encapsulated project start to finish on the ground. Though we’re in no hurry to remake Under the Cherry Moon.
We had the chance to screen the film in Agadez in September 2014. It was a very vocal crowd, filled over capacity, and the film was punctuated with cheers and applause. The Agadez reviews are good, which was a most flattering conclusion to the project. But more work remains – we’ve still got Kickstarter rewards coming, and DVDs are in production. The soundtrack is in its final stages of mixing and an LP will be released this year. And we are slated to release the film in West Africa across the Tuareg diaspora – so if you find yourself in Agadez, Sebha, Tamanrasset, or Kidal, look for the film soon. Whether on DVD, USB key, or a cellphone is up to you. Tastes may vary.
A live recording of Mdou Moctar’s Nikali Talit, found on cellphones in Niger:
After two years, the tracks of popular West African tunes found on cellphones were released, remixed, and now successfully returned to their point of collection Kidal, Mali. (previously) As a rebellion seems to break out days prior to my depart, the 30 microSD memory cards are handed to a truck driver making the perilous journey North. Confirmation comes via a cellphone appropriately that the cards have arrived with a friend and have been distributed about town to the remaining population.
Of all the remixes and reinterpretations, the most well received in the Sahel has undoubtedly been Brainstorm’s “Tahoultine” — a cover of Mdou Moctar’s song of the same name — which has just recently been followed by a digital EP (link) and second cover of “Anar” under the title “Vanessa”.
“Vanessa” West African debut, cellphone on bus outside of Tahoua, Niger:
I journey to Abalak, a town perched along the road to the North of Niger to meet with Mdou. In the ensuing days, we record a plethora of new tracks, travel to his birthplace and write his story. In the meantime, Brainstorm’s tracks jump from my cellphone onto the bluetooth network, instantly popular. Mdou is a local celebrity and his songs are well known — and the novelty of an American band covering the songs in English is not lost in the desert. Mdou speculates: “In just awhile, you’ll find this on cellphones as far away as Bamako…”
We organize a face to face meeting with Mdou and Brainstorm via Skype, commandeering the office of a local NGO after business hours, one of the only places to find internet in the village. Despite the initial difficulties, a brief meeting via video chat is arranged, and while the interplay of live collaboration is prohibitive due to the sufferable speed, a few songs are exchanged.
Video recording of Skype session, recorded on cellphone, Abalak, Niger:
The word Anar means eyebrows in the Tamashek language of Niger. It’s one of three songs that Mdou composed for a lost love of years back, and his attempts at forgetting.
“Love has become a malady for me — the night passes, I don’t even know its night, and in the morning I don’t do anything but think of her. If the love for her had a medication, I would drink it regardless of the taste. My dream is to turn into a small bird to fly to her, and give her a kiss between her eyebrows.”
The lyrics bear a striking semblance to those of the re-interpretations, a chance of synchronicity, a testament to how a message can be hidden in a melody — or a reminder that even in worlds apart, affairs of the heart are not so different.